Almost hallucinatory images of unidentified sleeping figures float across the screen to the accompaniment of increasingly unnerving monologues, the �dream narratives� of Dion McGregor, an aspiring Broadway lyricist who may have been performing for his roommate actively recording these sessions. In somniloquies, Paravel and Castaing-Taylor discover a dark, forked path to the unconscious in the ranting, sleep-talking voice of an obsessive and possibly deranged individual whose racist, misogynistic and xenophobic fears are unleashed with propulsive force and screeching climaxes.
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